This is certainly a somewhat different sort of book from those I usually review. As it makes clear, women have always played key roles in the field of vertebrate palaeontology, going back centuries. However, other than perhaps the most best known historical female vertebrate palaeontologists, comparatively little is known about these women scientists. As a result, their true contributions have probably been obscured. In this context, the book aims to reveal this hidden history, thereby celebrating the diversity and importance of women VPs.
I always wait expectantly for the publication of a new Palaeontological Association guide to fossils and, when they turn up, I am never disappointed. This is undoubtedly another triumph. This guide attempts to bring the diversity of its flora and fauna together in a single work, for the first time.
This is a lovely little book – the sort I would want to write. It is beautifully illustrated and well researched, with more than 200 glossy photographs and always interesting comments on the subject matters it touches upon. In short, it is a delight.
Mary Anning was clearly one of the most significant characters of eighteenth century science and possibly of all time, particularly in the realm of palaeontology. I am not sure that she is quite as unknown as the American author this excellent little biography claims, but she certainly should be better known.
This fascinating book looks at the professional interaction over more than 30 years between a respected husband and wife team of US palaeontologists working for most of their professional lives in Australia and a freelance artist, as he tries to interpret their work and bring to life ancient organisms and environments.
I remember buying the first edition of Ken Brook’s fascinating little guide on Hastings a long time ago, and bumbling off to Hastings in the hope of finding Lower Cretaceous dinosaurs and tree ferns.
Nowadays, people don’t do geology – they do ‘earth sciences’ – and this book is very much in that mould. That’s not to say this is a problem. Expanding the study of the world to take on a more holistic view of how things work is fascinating and, it is clear from this book, just how much man has now begun to understand and benefit from this new way of looking at geological science.
Fossils of the Oxford Clay was the fourth published guide by PalAss and covers the eponymous Jurassic Oxford Clay, which has been the major source of brick clay in the UK, notwithstanding the closures of clay pits in the Peterborough area over the years since this was published.
Once upon a time, I would have said that the only reason to buy this sort of guide is to look at the (black and white) photos of dinosaurs and their bones, and learn about the terrestrial life of what is now the Isle of Wight. However, this is obviously wrong. Of course it is possible for amateurs, as well as professionals, to find dinosaur bones on the beaches of the island.
There are several good books on the fossils of the Gault Clay and, by extension, Folkestone. However, this little guide has an advantage over the others that I have looked at.
It might come as a surprise to the vast majority of the UK population (and probably anyone reading this elsewhere), but this country is a great place for dinosaurs. In fact, it is one of the most important places for Lower Cretaceous dinosaurs, whose remains have been found on the Isle of Wight and in the Weald. A possible Triassic dinosaur has also been found in Morayshire, Scotland, and there are plenty more from the entire length of the Jurassic.
I like the GA guides. They are excellent resources for amateurs and professional geologists alike. I frequently browse mine, planning geological trips I will probably never take, because I live in geological unexciting London. Therefore, imagine how pleased I was to receive a GA guide to the Great Metropolis to review.
In this book, you will travel back millions of years in time, as though a time-traveller, to join wildlife safaris and visit ancient environments teeming with life. As the fossils come alive, you will experience and understand the fauna, flora and landscapes seen at localities in the geological past of Scotland.
Just a couple of days before the Covid-19 lockdown, I was with friends at Tidmoor Point collecting wonderful pyrite ammonites from the Oxford Clay with this excellent guide to the South Dorset Coast. The South Dorset Coast runs from the West Fleet (of Chesil Beach fame) to and including the Isle of Portland.
This is a lovely little book and something of a departure for Dr Dean Lomax, who, these days is more often seen up to his elbows in ichthyosaur remains. However, this fun little book is rather different. Dean (and ably helped by the artwork of Mike Love) has created a full-colour popup book covering the ancestors of many of our favourite pets.
This newly published guide is another near-perfect fossil book from Siri Scientific Press, who are rapidly becoming my favourite publisher of esoteric palaeontology. This one is perhaps less arcane, as it deals with an area of Britain that has been extensively covered by various authors with varying degrees of success.
I like palaeoart. A while ago, I went to the ‘Dinosaurs of China’ exhibition in Nottingham and bought myself a copy of the Chinese palaeoartist, Zhao Chuang’s ‘The Age of Dinosaurs’ – a veritable picture-fest of up-to-date reconstructions of ancient beasts and plants, complete with fuzzy raptors and other bird-like therapods.
Professor Robert Diffendal Jr’s little guidebook to the Great Plains of the USA makes for a fascinating read for an Englishman like me, who has never been there (but wants to). He makes it plain that they rarely correspond to the impression most people have of them.
This is an interesting little booklet and very much a new departure for the Palaeontological Association. Rather than covering specific fossils, it contains colourful, detailed, artistic illustrations, accompanied by concise explanatory text by palaeoartist, James McKay.
Nebraska has an excellent geological record, which is celebrated by some fine mosaics at the Nebraska State Capitol. When the building was being constructed, and at the request of Prof Hartley Burr Alexander of the Philosophy Department and from drawings by a colleague, the artist, Hildreth Meière, was asked to create a series of mosaics. These are now set out on the floor of the rotunda for all to see.